Friend of HORIZON RECORDS and Newgrass vocalist extraordinaire JOHN COWAN returns to Asheville on SUNDAY, DEC. 10th, with Darin & Brooke Aldridge!

JOHN COWAN, one of the great vocalists of the Newgrass era, will play at the Altamont Theatre in Asheville on Sunday, Dec. 10th, with Darin & Brooke Aldridge. Get ticket info HERE. 

John Cowan, also known as the Voice of Newgrass, has been singing his heart out for thirty-seven years now, and his soaring vocals have only improved with time. A true innovator, John applies his powerful pipes to genres from country, bluegrass, and gospel to soul, jazz, and rock-and-roll – often within the space of a single concert. His ability to move fluidly through multiple styles, and carry mesmerized audiences on the journey with him, has set him apart as one of the most loved and admired vocal artists of his generation, not just by fans and critics but among fellow musicians as well.

John Cowan was born on August 24, 1953, in Minerva, Ohio, and got his musical start in Louisville, Kentucky, where he played in various rock outfits like Everyday People and Louisville Sound Department in the early 1970s. But his rise to fame began in earnest in 1974 when he auditioned to play bass for the then up-and-coming New Grass Revival. The audition went well, and John was offered the gig. It wasn’t until he’d accepted the job that the shy 22-year-old casually mentioned, “By the way, I can sing too.”

With his distinctive, rock-tinged tenor vocal and heart-thumping electric bass, John, along with fellow New Grass Revival band mates Sam Bush, Courtney Johnson, and Curtis Burch, and later Bela Fleck and Pat Flynn, introduced a new generation of music fans to an explosive, experimental and ultimately, eponymous brand of bluegrass. The “newgrass” sound spawned popular jam bands such as Leftover Salmon and Yonder Mountain String Band in addition to shaping the sensibilities of country megastars Garth Brooks, the Dixie Chicks, the Zac Brown Band, and Darius Rucker.

After New Grass Revival disbanded in 1990, John went on to record a series of critically acclaimed solo albums including Soul’d Out (1986), the self-titled John Cowan (2000), Always Take Me Back (2002), New Tattoo (2006), 8,745 Feet, Live at Telluride (2005), Comfort & Joy (2009), The Massenburg Sessions (2010) and Sixty (2014).

Over the years, he also has been in high demand as a session musician and boasts vocal and/or bass credits on some 140 recordings, including albums by Garth Brooks, Glen Campbell, Rosanne Cash, Ashley Cleveland, Rodney Crowell, Steve Earle, Bela Fleck and the Flecktones, Hootie and the Blowfish, Janis Ian, Hal Ketchum, Alison Krauss, Delbert McClinton, Reba McEntire, Tim O’Brien, Mark O’Connor, Poco, John Prine, Kenny Rogers, Darius Rucker, Leon Russell, Darrell Scott, Ricky Skaggs, Travis Tritt, Hank Williams Jr., Jesse Winchester, Wynonna, Zac Brown, The Doobie Brothers and the Will the Circle Be Unbroken albums.

Not content to remain a sideman, however, John left the Doobie Brothers to follow his creative muse in pursuit of a solo career that, at the dawn of the 21st century, found him circling back to his acoustic “newgrass” roots.

“What we did back in the New Grass Revival days was unique,” he says. “Our vision was to take acoustic music somewhere new. What I’ve done with the John Cowan Band is try to recapture the magic of that ground-breaking experimentation and take it to the next level.”

The John Cowan Band, in various incarnations that inevitably feature some of acoustic music’s finest players, has been a force to be reckoned with these seventeen years – and counting. John is a fixture and a favorite at major festivals like the Telluride Bluegrass Festival in Colorado and Wilkesboro, North Carolina’s “traditional-plus” MerleFest, and he routinely sells out performing arts theaters and distinguished music clubs and listening rooms around the country. Stints in his band have helped launch the careers of Noam Pikelny (Punch Brothers), Luke Bulla (Lyle Lovett), and Scott Vestal, among others. The band’s current lineup most often features long-time collaborator and outstanding flatpick guitarist Jeff Autry, renowned and in-demand fiddler Shad Cobb, and mandolinist extraordinaire John Frazier.

“I love my ‘job’,” Cowan says. “I love these guys. I love being in a band – a great band – and I love playing music for people every night. I’m also very grateful for every opportunity I have to play my music with my own band for the fans that have been so loyal to me over the years. I don’t ever want to stop sharing my music with them.”

Stock up on these great John Cowan/Darin & Brooke Aldridge titles at Horizon Records before the show!

  
  
  

 

 

 

 

 

 

 

 

 

 

 

  • Marantz TT1060 semi-automatic turntable
    Here’s a nice entry level table that will severely outperform any newer table even close to it’s price point. The Marantz TT1060 is a semi-automatic table which means the tonearm will return to rest at the end of play.
  • Technics TT SL 1800 turntable
    Technics SL-1800 full manual direct drive turntable, circa 1977. This table is a heavy beast with a very strong motor. A new stylus has been installed on the Stanton cartridge and sounds fantastic. All tonearm features have been set correctly and the stylus tracks at a recommended 3 grams
  • Realistic Lab 430 Direct Drive Turntable
    Very nice inexpensive table with the benefit of direct drive (no belts to change) and auto return. The table has been thoroughly gone through and all features work as they should. A new elliptical stylus has been mounted on the Shure cartridge and balanced correctly.
  • Sonamp 260 from SONANCE
    Soooo nice! This super nice, modestly priced 100 watt per channel power amp has been all checked out and works great. It’s cost effective way to run lots of power!
  • Technics SL-210 full manual turntable
    The table has been thoroughly inspected and gone through with all features working correctly. This is a full manual table, simply turn the table on and move the stylus to the record surface, no auto features to adjust or be concerned with. The new stylus sounds great, is readily available and super affordable. A nice survivor from 1978!
  • SANSUI FR-D35 SEMI-AUTOMATIC DIRECT TURNTABLE
    A new stylus has been installed on the vintage AT cartridge and all features of the table work perfectly!
  • EPI A110 SPEAKERS: 2-way, classic bookshelf charmers! Sound great, woofers rebuilt like new!
    2-way, classic bookshelf charmers! Sound great, woofers rebuilt like new. Circa 1980’s Epicure Productions vintage feature 8”woofers. Critically acclaimed in their day and still sound good, audiophile delivery without the high dollar price. Full-on ready, great sound, woofers rebuilt like new!
  • TASCAM 102 CASSETTE DECK!
    So fresh and so clean! This deck is in great shape and sounds like a champ. Bust out those old bootlegs and mixed tapes.
  • VINTAGE RARE SAE MARK XXXI SOLID STATE STEREO POWER AMPLIFIER WORKS GREAT! SOUNDS GREAT!
    Unit is in really nice physical condition. Recently gone through, tested and checked, all functions have been tested and work great! ready to rock with a pre-amp!
  • ADVENT LAUREATE Mini Tower Speakers
    amazing sound, brilliant natural refined listening experience. woofers on both speakers just completely rebuilt better than new! The Advents, both large and small, sounded pretty good and gave excellent value for the money. The company was one of a long string of companies that descended from the original Acoustic Research (AR). Advents eventually lost their enormous popularity and nearly faded away. International Jensen, a company based in the Chicago suburbs, rescued Advent and resurrected it. The Advent model we tested deserves a Ph.D. Advent appropriately names it the Laureate. The Laureate overwhelmed my skepticism that a modestly priced floor-standing loudspeaker could deliver good sound
  • SANSUI SR-525 DIRECT DRIVE TURNTABLE
    Excellent working and sounding Sansui SR-525 full manual direct drive turntable. A new stylus has been installed, and the cartridge has been properly aligned in the headshell according to Sansui specifications. This is a very heavy table with great Sansui build quality.
  • YAMAHA NATURAL SOUND A-700 INTEGRATED STEREO AMPLIFIER
    A classic “hoss” circa 1983/84. 100 watts per channel! Has phono input.
  • Fisher REC 727 AV Receiver
    This Fisher A/V receiver has phono input, remote and 200 watts! Fire it up bro!
  • Marantz REC SR 225
    This super vintage budget receiver is the perfect starter unit for someone wanting to explore the world of hi fidelity sounds. It’s been all checked out and has a clean bill of health; and with phono input so it’s good to go with any classic turntable.
  • Sansui SPEAKERS SP 2000
    These Sansui SP-2000 speakers from the 70s are some awesome vintage rockers! These big boys have a four way/six driver configuration plus a bass port. They have been tested and sound great.
  • BOZAK CS4000 mod speakers, omg!! these big-boys ROCK!
    8 tweeters, 1 midrange and 2 woofers per. all original, very clean. extremely rare and VERY AMAZING sound!
  • BOSE 901 SERIES V SPEAKERS WITH BOSE 901 SERIES V ACTIVE EQUALIZER
    The essentially crossoverless design gives the 901 an unmistakable coherence, the model’s greatest strength. Its incredibly wide dispersion comes in a close second. The Bose 901s sound great anywhere in the room, After extensive listening, the Bose 901s strike me as being damn good. They have some limitations, but don’t all $1,400 speakers? For that matter, what $10,000 speakers are perfect? They are so smooth and musical.
  • Polk Audio T15 Bookshelf Speakers, 2 way plus bass port
    You can enlarge your sound while shrinking the speakers with a reliable bookshelf system. The Polk Audio T15 speakers can blend into the background while delivering impressive tone quality. It can be a superior system that offers balanced drivers and tweeters for a wide response with low distortion.