Category: New Stuff / What’s On Sale

A sad record isn’t always the easiest to get into, but that tends to be from just how emotionally visceral they are. While it’s not the most complex release from Waxahatchee in recent memory, there’s so much packed in to her words that it wildly overshadows what any additional instrumentation could offer.

For fans of Iron & Wine, it’s Christmas in August. “Weed Garden” is a six-track EP including songs written by Sam Beam mostly while working toward his last full album, “Beast Epic,” and they sound very much like it.

It’s ironic that The Devil Makes Three score their biggest successes with solid showings on the bluegrass charts. Although their earlier efforts found them extolling a kind of swampy, roots-relevant approach,

Vocalist and main songwriter Justin Furstenfeld is in a happy place in his personal life being a proud and doting dad judging by his various social media posts. This is reflected in the album’s general upbeat air in the music which is a mixture of rock, dance, 80′s influences, indie, pop and more. The title…

With SHOOTER, Jennings truly puts his own mark on country music, living up to his extraordinary birthright with unparalleled passion, experience, and heart. Jennings’ decade-plus relationship with the GRAMMY® Award-winning Cobb extends all the way back to 2005 and his first trio of solo albums.

Time Flies is an awe-inspiring demonstration of versatility, enough to fill several volumes and not merely be contained by a single one. The rest of the record finds Lauderdale dwelling on other enterprise as well, from the mournful title track to the tale about the scene-stealing shuckster detailed in “Wearing Out Your Cool”

The self-produced Out Of The Blues finds national treasure Boz Scaggs applying his iconic voice and gritty guitar skills to a set of vintage classics as well as four originals. For the occasion, the legendary singer/songwriter/guitarist assembled a star-studded studio band including such prestigious players as guitarists Doyle Bramhall II, Ray Parker Jr. and Charlie…

Rodney Crowell doesn’t NEED to revisit a dozen of his signature tracks, as he does on Acoustic Classics, to stay relevant. But in doing so, he’s provided new insights into the versatility and timeless nature of his songwriting and interpretative skills.

The spinechillingly emotional saxophonist Albert Ayler said of his 1960s contemporaries John Coltrane and Pharoah Sanders: “Trane was the father. Pharoah was the son. I was the holy ghost.” That sax triumvirate have many heirs (notably Kamasi Washington), but the spiritually restless Coltrane will always be the