Category: New Stuff / What’s On Sale

The groundbreaking indie-noise-experimental stalwarts Stereolab continue their reissue campaign with three of their prime-period albums. The wide-ranging, devilishly melodic Cobra & Phases Group Play Voltage In The Milky Night

On “‘Neon Brown’, Velvet Negroni is a griot relaying the life and times of his own island – it’s a singular place, with the squeak and thrum of guitar strings looped over drum machine beats accented by steely marimbas, all creating a pocket for

In WB Yeats’ most famous line, “things fall apart, the center cannot hold.” Things were pretty bad when he wrote that in 1919, the first world war segueing smoothly into the Irish war of independence, but Sleater-Kinney twist the line into something even worse.

Bandana, the new joint release by Freddie Gibbs and Madib, is weirder, more freewheeling, more Madlib-y than its predecessor. Gibbs remains unphased; he fields each beat like Omar Vizquel and splits it down the middle with raw charisma, torrential flows, and economic, impactful writing.

Thom Yorke describes his excellent new solo album Anima as “dystopian,” which isn’t exactly the hugest surprise in the world. With or without Radiohead, he’s spent his whole career mapping out the dystopia we’re living in—he does futuristic apocalypse the way John Fogerty does choogle.

Long live David Berman. After shutting it all down in a 2009 message board post, the mythic musician’s project Silver Jews took on an indie cult status so strong he almost resented taking a full decade off from making music. But now he’s returned with a new name and the same dark outlook.

Gov’t Mule celebrate their silver jubilee with Bring on the Music – Live at the Capitol Theatre. The iconic band covers many of its bases here by buffeting the blues of Blind Willie Johnson

Rather than stray in different directions this time, Lauderdale reunited with the team behind Time Flies, co-producer bassist Jay Weaver and GrammyAward-winning engineer David Leonard (Prince, John Mellencamp). He also stayed in the groove of writing solo and with vaunted co-writers

Neil Young can be irascible at the best of times, but things were looking particularly dour when he and his band The Stray Gators rolled into Tuscaloosa, Alabama, in February 1973. Though his 1972 release Harvest was the top-selling album in America that year, Young was not in a celebratory mood.