Category: What We’re Into – Recent Interest

This eighth Wood Brothers studio album may be the most fully integrated record in their discography, certainly as much so as the first releases with the sibling as a duo. That sound of Oliver and Chris singing together in close harmony

Bill Fay’s albums for Deram Records made in 1970 and 1971 and deleted shortly afterwards – got new life after endorsements from the likes of Jim O’Rourke (Tortoise) and Jeff Tweedy (Wilco) led to a huge revival of interest in this vanished artist.

The first Who album in 13 years opens with a perfectly cynical Pete Townshend lyric: “I don’t care/I know you’re gonna hate this song.” But it’s kind of hard to hate something that feels so familiar. Roger Daltrey sings the lyric and the ones that follow, claiming the song isn’t

After finishing You Want It Darker, which was released just 19 days before his death in 2016, aged 82, Leonard Cohen still wanted to add to his tower of song. Thus, he kept on writing and recording as life ebbed away,

With their second album, simply titled The Band and released in 1969, the quintet – Rick Danko, Levon Helm, Garth Hudson, Richard Manuel and Robbie Robertson – basically invented modern Americana, tying their inherent musicality to a sound and aesthetic rooted in century-old history

Her new album, Magdalene, invokes Mary of Magdala as a kind of apostle of the overlooked. It’s a breakup album, written in a period of upheaval not only limited to the artist’s romantic life.  Magdalene is an effortless braiding of high-brow electronic art-pop, carnal soul music, and lurid modern dance,

A solo concert from Keith Jarrett – recorded at Munich’s Philharmonic Hall on July 16, 2016, on the last night of a tour – finds the great improvising pianist at a peak of invention. Creating a spontaneous suite of forms in the moment with the intuitive assurance of a master builder – interspersing touches of…

Young’s voice, an acquired taste for more than half a century, sounds exactly as it did when he excoriated the killing of Vietnam War protesters at Kent State University on the Crosby, Stills, Nash and Young classic “Ohio.” His intensity has only grown since, as you can hear on “Help Me Lose My Mind,”