Category: What We’re Into – Recent Interest

The notion of being Barefoot In The Head perfectly expresses the enduring hippie instincts of Chris Robinson’s prolific band. It also conveys the laidback rustic stoner vibe of this latest album, on which keening steel guitar and country harmonies in songs like “Blonde Light Of Morning” and “If You Had A Heart To Break” locates…

atie Crutchfield, the Alabama-born singer-songwriter behind Waxahatchee, has always tended towards introspection. Over the course of three well received albums, she has traded in the sort of laceratingly honest indie that to the listener feels horribly, yet compellingly intimate. So, the news that album number four is a breakup album, recorded, per the press release,…

Over four decades and tens of thousands of road miles after singer/songwriter/multi-instrumentalist Randall Bramblett released his first solo album, disc number 11 shows no sign of the wear and tear that being a professional musician for nearly your entire working life can take on even the sturdiest human. Sure, there was a 12 year solo…

Lee Bains III + The Glory Fires deliver a verbose musical assault flush with punk insurgence and righteous indignation. With the exception of only a small handful of songs (out of 17 overall), Youth Identification surges like a veritable call to arms; a driving, deliberative battle cry that rails against the decay of cultural institutions,…

Many bands never get off the ground because they can’t find their “home.” Banditos, as confirmed by their second album Visionland, have no such concerns. For them, home is ‘70s Muscle Shoals country-soul colliding with psychedelia and occult, and stamped by the identifiable quaver of singer Mary Beth Richardson. Banditos’ bread and butter is four-to-the-floor…

“Am I the last of my kind?” Jason Isbell ponders on his new album, The Nashville Sound. Isbell, who hails from the Muscle Shoals region of Northwest Alabama, is singing, as he often does, in character, this time a down-and-out survivor struggling to play catch up with the rapidly changing country he calls home.

So this is what happens when a group of old jazz hands get into a Levon Helm kind of way. Hudson is the name of an album, a supergroup and a song on the album by the supergroup. The combination of Jack DeJohnette, John Scofield, John Medeski and Larry Grenadier is capable of so much;…

With their swampy riffs and mud-covered rock n’ roll, the North Mississippi Allstars have always honored the past while keeping an eye on the future. That tradition continues with their forthcoming album, Prayer For Peace, a collection of Allstars originals as well as reinterpretations of works by legendary artists that have influenced the band. Anchored…

Forming a trilogy with 2014’s Single Mothers and 2015’s Absent Fathers, J.T. Earle’s latest teams him with Omaha indie-rock don Mike Mogis (Bright Eyes) for his rangiest set yet. “What’s She Crying For” is a moaning honky-tonk weeper with pedal steel and roadhouse piano, “What’s Goin’ Wrong” is clarinet-spiked Texas swing impressionism, “15-25” is vintage…

The New Yorker once called the Mountain Goats’ frontman John Darnielle “America’s best non-hip-hop lyricist”. Here, the 50-year-old sometime novelist is in masterly form, reappraising his teenage goth years. The hints of Nick Cave’s Bad Seeds in opener Rain in Soho aside, piano, woozy sax and sumptuous Prefab Sprout AOR combine with lyrics about Portuguese…