• This Fall’s edition of the ALBINO SKUNKFEST kicks off OCT. 5th, and the lineup is SWEET!
    This Fall’s edition of the ALBINO SKUNKFEST kicks off OCT. 5th, and the lineup is SWEET!
    Fresh off the Skunkville presses, we’ve got a dispatch from Mr. Glynn Ziegler himself about the next edition of our fave multi-genre musical gathering, the Albino Skunkfest at Glynn’s stately Skunk Farm over in Greer. The festival kicks off Friday, Oct. 6th, and they’ve got some heavy-hitters scheduled this time around. As usual, Zig has chosen a talented group hailing from far and wide. The artists have differing styles that we’re sure will make for a great weekend playlist and your latest chance to find your new ... Read More

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Walter Salas-Humara in store happening now!! #gvlmusic ... See MoreSee Less

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We will be holding it down until 10 as usual. Tonight we have a little "Cornbread" by Lee Morgan for dinner hour. #LeeMorgan #Cornbread #BlueNoteJazz ... See MoreSee Less

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  • NEW RELEASES, 9/15: FOO FIGHTERS, LARRY CAMPBELL & TERESA WILLIAMS, BRUCE COCKBURN, THE TEXAS GENTLEMEN & more!
    On “Concrete and Gold” Foo Fighters reflect the entire timeline of the classic-rock format; there are clear homages to the Beatles, Led Zeppelin, Pink Floyd, Queen, glam, thrash and grunge. But the band has a new producer, Greg Kurstin, who has collaborated with Adele, Pink and Beck. And with him, Foo Fighters now shuffle genres, even within songs, more suddenly and whimsically — more digitally — than ever. Previous albums have presented studio-enhanced versions of the band onstage, while on “Concrete and Gold,” Foo Fighters can switch configurations
  • NEW RELEASES, 9/8: GREGG ALLMAN says goodbye, THE NATIONAL returns, NEIL YOUNG gives us one from the vault, and MIKE STERN rocks our world!
    As rock superstars fade from the glare of fame into the shrouds of nostalgia, a few find ways to keep connecting. It’s not easy: Talent is critical but more important is honesty. This is especially true when the end of one’s path comes into view, when that road no longer stretches past the horizon but stops somewhere short of there. When Gregg Allman recorded Southern Blood, he could see what lay ahead. Knowing that this was his farewell statement, he crafted it meticulously all the way up to the end of his journey,