Expansive postmodern blues-rock n’ drone masters ENDLESS BOOGIE has returned with the much-anticipated follow-up to 2015’s life-changing Nothing For The Water with VIBE KILLER,a (sort-of) concept album.

Aaron Burr’s attempt to seize the Texas Territory for his own dominion has beguiled composers ‘n bands for ages. Lowell George supposedly had a concept album in the can (aka, ‘Carolina Parakeet’) what was all about it, then Neon Park said he refused to draw a bird sporting Burr’s noggin, so George ended up making ‘Thanks I’ll Eat It Here’ instead, then died not long after. Now that’s just a damn shame! And so this fascinating tale of (alleged) treasonous expansion would end up in limbo until Endless Boogie took up the quill & recorded this new, inspired masterpiece entitled, ‘Vibe Killer’. It’s like a history lesson plundered deep outta the archives of Straight/Bizarre.

Our story opens w/a jowly narrative enunciated by singer/guitarist Paul “Top Dollar” Major (as Aaron Burr) callin’ out all them sissy Dem-Rep blaggards, letting ’em know he’s on his own path. Naturally what follows is some tasty sun zoom riffage a’tween TD ‘n Jesper “The Governor” Eklow and the wily Dollar, backed solidly by the Marc Razo/Harry Druzd rhythm union. In fact, through the whole of this opus, Druzd effortlessly marshals through the sonic undertow while Razo rudders his bass like a brilliant pulse in a spasmodic vortex. Top Dollar, the aforementioned Herr Sween & The Governor gnash, morph, crystallize while the jams flow; it’s ‘Mirror Man’ bum-rushin’ ‘Pretties For You’. Before ya know it, we’re at track 5 (‘Back In ’74’) where the plot ostensibly takes us to a memory of Burr enterin’ college, but is surreptitiously more about the year Top Dollar gave up on Grand Funk in favor of Josefus. You’re followin’ all of this, right?

So as we amble into the ether of this brilliant opus, we can surmise by title 6 (‘Jefferson County’) the end is near. Burr (aka, Top Dollar) reflects on everything from Wilkinson’s betrayal to the excellent meals while in captivity at Fort Stodden, then suddenly, NO, it’s him, Top Dollar-with full Endless Boogie heft-soarin’ high above the hobo fires that flicker along the bank’ve the Ouachita River, drownin’ out forever the simperin’ harmonica bleats’ve tryranny. It’s almost enough to make you wanna smoke a ham. Friends & collectors, Endless Boogie have never not occupied the Catbird Seat. Winners gonna win, yo. They, like Aaron Burr himself, understand manifest destiny & no amount of port nor Madeira will take them down. Shit, might as well bring the sherry too. Who knows, maybe your mom’s a fan.

Yes, we WILL have Vibe Killer in-stock this Friday on CD and vinyl LP, along with these other lethal Endless Boogie platters.


  • NEW RELEASES, 9/15: FOO FIGHTERS, LARRY CAMPBELL & TERESA WILLIAMS, BRUCE COCKBURN, THE TEXAS GENTLEMEN & more!
    On “Concrete and Gold” Foo Fighters reflect the entire timeline of the classic-rock format; there are clear homages to the Beatles, Led Zeppelin, Pink Floyd, Queen, glam, thrash and grunge. But the band has a new producer, Greg Kurstin, who has collaborated with Adele, Pink and Beck. And with him, Foo Fighters now shuffle genres, even within songs, more suddenly and whimsically — more digitally — than ever. Previous albums have presented studio-enhanced versions of the band onstage, while on “Concrete and Gold,” Foo Fighters can switch configurations
  • NEW RELEASES, 9/8: GREGG ALLMAN says goodbye, THE NATIONAL returns, NEIL YOUNG gives us one from the vault, and MIKE STERN rocks our world!
    As rock superstars fade from the glare of fame into the shrouds of nostalgia, a few find ways to keep connecting. It’s not easy: Talent is critical but more important is honesty. This is especially true when the end of one’s path comes into view, when that road no longer stretches past the horizon but stops somewhere short of there. When Gregg Allman recorded Southern Blood, he could see what lay ahead. Knowing that this was his farewell statement, he crafted it meticulously all the way up to the end of his journey,