Category: What We’re Into – Recent Interest

Neil Young can be irascible at the best of times, but things were looking particularly dour when he and his band The Stray Gators rolled into Tuscaloosa, Alabama, in February 1973. Though his 1972 release Harvest was the top-selling album in America that year, Young was not in a celebratory mood.

The band that started it all, Superchunk, is back with a surprise new studio album! Acoustic Foolish is a complete re-recording of their classic 1994 album, Foolish,. Long considered to be one of their most tender & well-received albums in their storied history, the band was interested in re-exploring what the songs mean to them…

The second Lowe/Los Straitjackets studio collaboration EP features only four selections, running a total of 14 minutes. Three are new Lowe originals that, well, sound like others of his tunes, and the fourth, “Raincoat In The River,” is an obscure Phil Spector cover, initially recorded by the little known Sammy Turner.

This is the funkiest record of Mac DeMarco’s career, with its serene charm and more introspective songs proving its creator now cares less about what will play well on the festival stages and more about letting us inside his head. The record is paced slower than his previous work, with the coked-out synths of

Over the course of their previous two albums, New York foursome Big Thief pruned their meaty alt-rock back into mellow indie. UFOF sees them pare things down further still, in a collection of gentle folk that seems dazed by its own exquisite beauty. Sometimes, the results bring to mind a sugar-coated Elliott Smith: acutely lovely…

It shouldn’t bother anyone that Kelly Finnigan, frontman for the Bay Area-based Monophonics, has decided to throw his solo hat into the retro soul ring. It’s akin to another Democrat running for the party’s nomination for president in 2020. Sure, the field is a little crowded, but an additional point of view is welcome to…

Through their first three albums, The Yawpers divined a signature style—what Pitchfork described as “an expansive vision of rock ‘n’ roll, one that cherrypicks from various folk traditions: punk, rockabilly, blues, whatever they might have on hand or find in the trash.” The sound is a front-heavy, groovy, fire & brimstone punk-blues overlying a dynamic…

The Budos Band have spent the last 15 years slowly-but-surely adding elements of proto-metal to their groove-drenched instrumental Afrobeat. 2014’s Burnt Offering feels like a confession of sorts, the band copping to their stoned-teenager proclivities by giving the album a grim title, artwork depicting a